Tomb Raider: Underworld (2008)
Descending into the depths of a Norse-themed underworld.
Release: November, 2008
Role: Studio Director
Platforms: XB360, PS3, WII, DS, PC
As fearless adventurer Lara Croft explore exotic locations around the world, each designed with an incredible attention to detail resulting in breathtaking high-definition visual fidelity that creates a truly believable world and delivers a new level of challenge and choice.
In 2005, Eidos entrusted Crystal Dynamics with the opportunity to take on development of the Tomb Raider series. We quickly ramped up internal capacity and workflows to achieve a slate of three multi-sku Tomb Raider products to be released in three consecutive years.
This is an unusually difficult thing to achieve under normal circumstances, but we had the added complexity of facing a major platform transition mid cycle. A year prior, I was hired as Studio Director to oversee all development activities and to lead development for the upcoming slate.
Accomplishing this would require the complete overhaul of the studio’s technology, art, design and production workflows, the consolidation of our studio’s three game engines, the doubling of the size of our internal staff (to 180) and the establishment of several internal and external support departments and teams.
Thanks to the incredible work of Crystal’s dev teams, we not only delivered to meet the consecutive release schedule but we did so without compromising our studio’s standards for quality. Tomb Raider: Legend was released in 2006 selling 1.5+m units worldwide (PS2, XBOX, PC, PSP, NDS), Tomb Raider: Anniversary in 2007 selling over 2m units (XB360, PS2, PSP, Wii, PC), and Tomb Raider: Underworld in 2008 selling 2.5m+ units (PS3, XB360, PC, Wii, PS2, NDS) which collectively generated over $250m in revenue for Eidos.
Creative Director Eric Lindstrom and Lead Animator Primo Navidad share insights about Tomb Raider: Underworld in this rare Development Diary.
Prior to leaving in 2009, I was invited to supervise the overhaul of our parent company’s Global Product Review process used for evaluating progress across all studios and projects in development. This was massively challenging as there were over 10 full-scale projects in development at the time, and key stakeholders and decision makers were spread across four countries.
British Academy Award – Best Action Adventure Game (Nomination)
Writer’s Guild of America – Best Game Narrative (Nomination)